Now, let's get down to brass tacks. Who are the male characters who consistently top the lists of "most hated" or "most annoying" in the anime community? These are the individuals who inspire passionate discussions, often filled with exasperation.
1. Shou Tucker (Fullmetal Alchemist)
Shou Tucker is a name that sends shivers down the spine of any Fullmetal Alchemist fan. A State Alchemist, Tucker was once hailed as a genius for his ability to create human-sized chimera. However, his pursuit of recognition and his desperate fear of losing his status led him down a path of unimaginable horror. The ultimate act that cemented his place as one of anime's worst was his transmutation of his own wife into a chimera, and then, even more disturbingly, his daughter, Nina, and their dog Alexander.
The scene where Edward Elric encounters the Tucker chimera, only to realize with dawning horror that it's Nina, is one of the most emotionally devastating moments in anime history. Tucker's justification – that he did it to maintain his State Alchemist license and that it was "for Nina" – is a testament to his utter moral bankruptcy. He prioritized his own ambition and survival over the well-being and very humanity of his child. His subsequent death, while deserved, hardly compensates for the trauma he inflicted. He represents the terrifying consequences of unchecked ambition and the complete erosion of parental love.
2. Gabi Braun (Attack on Titan)
Attack on Titan is renowned for its morally gray characters and its exploration of the cyclical nature of hatred. Gabi Braun, a Warrior candidate from Marley, embodies this complexity, but for many viewers, her actions and initial mindset place her firmly in the "worst" category, at least for a significant portion of the series.
Gabi is indoctrinated from a young age to believe that the Eldians of Paradis Island are devils who must be eradicated. This propaganda fuels her every action, leading her to commit horrific acts, most notably the brutal murder of Sasha Braus, a beloved character. Gabi's unwavering conviction, her zealotry, and her inability to see the humanity in her enemies make her incredibly frustrating to watch. While the narrative eventually allows her to question her beliefs and experience the consequences of her actions, her early arc is defined by a relentless, almost gleeful, pursuit of violence against the protagonists. Her transformation is a key theme, but the journey there is fraught with the pain she inflicts.
3. Yoshiteru Agatsuma (Future Diary)
Future Diary is a series that thrives on psychological torment and unhinged characters. Yoshiteru Agatsuma, also known as "Gasai Yuno's stalker," is a prime example of a character whose entire existence seems designed to be irritating and, at times, downright disturbing.
While not a primary antagonist in the same vein as some others, Yoshiteru's obsessive and often nonsensical behavior, coupled with his bizarre motivations, makes him a significant nuisance. He inserts himself into the survival game with little strategic prowess, often acting on impulse and causing unnecessary complications. His fixation on Yuno, while a plot point, is portrayed in a way that is more pathetic than compelling. He represents the darker side of obsession and the kind of character who exists solely to complicate the lives of the main cast, often through sheer, unadulterated annoyance. His actions, while sometimes leading to plot progression, are rarely driven by anything other than a misguided and unsettling fixation.
4. Minoru Mineta (My Hero Academia)
Ah, Mineta. The character who seems to exist solely to test the audience's patience. Mineta is a student at U.A. High School, aspiring to be a pro hero, but his defining characteristics are his lecherous behavior, his cowardice, and his generally perverted thoughts.
Despite possessing a Quirk, "Pop Off," which can be surprisingly effective in combat, Mineta rarely uses it with any sort of heroic intent. Instead, his focus is almost exclusively on ogling his female classmates, making crude remarks, and generally acting like a degenerate. While the series attempts to inject moments where he shows bravery or strategic thinking, these are often overshadowed by his persistent perversion. He embodies the worst kind of fan service, where a character's primary role is to make uncomfortable sexual advances. Many fans find him to be a stain on an otherwise inspiring series, a constant reminder of the less savory aspects of human nature that the narrative seems to endorse through his continued presence.
5. Kazuki Hirasawa (Sket Dance)
Sket Dance is a comedy series, and sometimes, comedy relies on characters who are intentionally annoying or absurd. Kazuki Hirasawa, a member of the Sket-dan, fits this bill. While he has his moments of genuine helpfulness and loyalty, his primary characteristic is his extreme masochism and his tendency to inflict pain upon himself and others for his own twisted sense of satisfaction.
Hirasawa's "sadistic" tendencies, which manifest as him enjoying being beaten or causing minor harm, are played for laughs. However, for many viewers, this brand of humor doesn't land. His constant pursuit of pain and his often bizarre methods of achieving it can be off-putting. While he's not malicious in the traditional sense, his character is built around a quirk that many find deeply unsettling and, frankly, annoying. He's the kind of character who, even in a comedic context, can make you groan rather than laugh.
6. Shinji Ikari (Neon Genesis Evangelion)
This is a controversial pick, as Shinji Ikari is the protagonist of Neon Genesis Evangelion, a series lauded for its psychological depth. However, Shinji's crippling self-doubt, his constant whining, his inability to take decisive action, and his tendency to push people away, even those who care about him, have made him one of the most polarizing figures in anime.
Shinji is meant to be a relatable character, a teenager thrust into a world-ending conflict who struggles with immense pressure. Yet, for many, his indecisiveness and his emotional immaturity go beyond relatability and become genuinely frustrating. His famous line, "I mustn't run away," is often uttered as he is, in fact, running away, either physically or emotionally. While his journey is one of immense psychological struggle, his passive nature and his frequent breakdowns can be incredibly taxing for viewers. He represents the burden of responsibility and the difficulty of confronting one's own fears, but he does so in a way that can be profoundly alienating.
7. Kiba Inuzuka (Naruto/Naruto Shippuden)
Naruto is filled with memorable characters, but Kiba Inuzuka often falls into the category of "annoyingly loud." Paired with his intelligent wolf-dog Akamaru, Kiba is a boisterous and energetic ninja who relies on his enhanced senses and his canine companion in battle.
While Kiba's loyalty and his desire to protect his friends are commendable, his personality can be grating. He's often portrayed as arrogant, quick to anger, and prone to making rash decisions. His constant barking, his over-the-top reactions, and his somewhat simplistic worldview can be tiresome, especially when compared to the more nuanced characters in the series. He often serves as comic relief, but his brand of humor can sometimes feel forced or repetitive. His rivalry with Naruto, while initially a driving force, often devolves into Kiba simply being loud and dismissive.
8. Perona (One Piece)
One Piece boasts a massive cast of eccentric characters, and Perona, a former officer of the Baroque Works and a ghost-manipulating pirate, is certainly one of the most unique. Her Devil Fruit, the Horo Horo no Mi, allows her to create intangible ghosts that can induce sadness and despair in those they touch.
While her powers are formidable and her design is memorable, Perona's personality can be incredibly irritating. She's often portrayed as childish, overly dramatic, and prone to fits of pique. Her constant mocking and her haughty demeanor, while fitting for a villain, can become tiresome over time. Even after her defeat and subsequent alliance with the Straw Hats, her petulant attitude and her tendency to complain persist. She's a character who, despite her eventual role in aiding the protagonists, often tests the audience's patience with her grating personality.
9. Light Yagami (Death Note)
This is another controversial pick, as Light Yagami is the protagonist of Death Note, a series celebrated for its intellectual battles. However, Light's descent into megalomania, his god complex, and his utter lack of empathy make him a deeply flawed and, for many, a detestable character.
Light begins as a brilliant but disillusioned student who finds the Death Note and decides to use it to rid the world of criminals. While the premise is compelling, Light's transformation into Kira, a self-proclaimed god who murders indiscriminately, is where his "worst" qualities emerge. His arrogance is staggering, his manipulation of others is chilling, and his belief that he is inherently superior to everyone else is infuriating. While his intelligence is undeniable, his moral compass is completely shattered, leading him to commit atrocities in the name of justice. He represents the corrupting influence of absolute power and the terrifying consequences of unchecked ego.
10. Stiyl Magnus (A Certain Magical Index)
A Certain Magical Index features a sprawling cast of characters, and Stiyl Magnus, an English magician with a fiery disposition, is one of the more prominent figures. While he possesses a certain gruff charm and a strong sense of justice, his abrasive personality and his tendency to resort to violence can make him difficult to like.
Stiyl is often portrayed as hot-headed and impatient, quick to dismiss others and resort to his powerful fire magic. His interactions with the protagonist, Touma Kamijou, are frequently confrontational, and his stubbornness can be frustrating. While he is a capable fighter and has moments of genuine concern for others, his overall demeanor is often one of arrogance and disdain. He embodies the archetype of the gruff warrior who struggles with emotional expression, but his execution can sometimes lean too heavily into the "annoying" rather than the "compelling."